Plecând de la premisele sale fundamentale, plictisul, o dispoziție caracterizată de absența interesului și satisfacției, intrând în sfera interpretărilor filozofice sub imperiul denumirii sale franceze ennui, se poate defini ca simbol al rupturii de transcendență, căpătând astfel o dimensiune metafizică. Ilustrând enigma mentalului colectiv,...
Acknowledging the expansive scholarly interest surrounding the esoteric traditions of Kabbalah and Hermetic Qabalah, this essay endeavors to undertake a thorough and rigorous examination of these profound mystical systems. The methodology employed in this academic inquiry is of a critical and comparative nature. Drawing extensively from a...
Tâmplele mele se zbat în piept cu furie,
Intonând solemn un imn patriotic.
Genunchii tremurând în adâncul strâmt al unei epoci postmoderniste,
Urmat-am amintirea pașilor încărcați de un obscurantism rafinat,
Din văzduh un bărbat își arată în umbrele existențialiste oasele.
O emblemă a conservatorismului intelectual, rafinat, inconfundabilul Sir Roger Scruton (1944-2020), filozof britanic, cunoscut pentru scrierile sale despre estetică, metafizică, etică și politică, critic al materialismului și al secularismului și un susținător al tradițiilor culturale și religioase, rămâne unul dintre autorii contemporani...
Pentru Ellul, propaganda este eficientă deoarece se bazează pe ceea ce un individ are deja înrădăcinat în sistemul său de valori. Propaganda nu încearcă să schimbe convingerile oamenilor, ci să le exploateze pentru a-i determina să acționeze într-un anumit fel. Autorul oferă o analogie pentru a explica modul în care funcționează propaganda. Acesta...
O analiză academică. Propaganda politic-religioasă este o formă de manipularea maselor care îmbină elemente de religie și politică pentru a promova o anumită ideologie sau un anumit set de valori. Aceasta folosește retorica, discursul și strategiile de comunicare pentru a influența opinia publică. În contextul materialului de față, putem afirma...
René Magritte, unul dintre cei mai importanți artiști ai secolului XX, a fost un pictor belgian, reprezentant de frunte al suprarealismului.
Rainer Maria Rilke a fost un poet austriac care a trăit în perioada 1875-1926, fiind considerat unul dintre cei mai importanți scriitori germani ai secolului al XX-lea. Opera sa este caracterizată de eleganța stilului, de sensibilitatea lirică și de profunzimea gândirii.
The Consolation of Philosophy is a philosophical and literary masterpiece composed in 523 AD while he was unjustly imprisoned due to a false charge of treason against King Theodoric. [1] In this work, he reflects on the human condition and the role of philosophy in providing comfort and wisdom in the face of adversity. He presents his thoughts as...
Fondator al neoplatonismului, Plotin definește frumusețea ca fiind o expresie a principiului suprem al realității, Unul. Conform acestuia, "Unul este totul și nimic din toate; nu este o parte din toate, ci este toate, fără să fie nimic din ele. [VI.9.6]. Unul nu este ființă, ci sursa ființei. [VI.9.3]. El nu este frumos, ci mai presus de frumos."...
Henri Biva (23 January 1848 – 2 February 1929) was a French artist, known for his landscape paintings and still lifes. He focused primarily on the western suburbs of Paris, painting outdoors in the plein-air tradition; his style ranged between Post-Impressionism and Realism with a strong Naturalist component. Biva's pictures are characterized...
Almond Blossoms is a group of several paintings made in 1888 and 1890 by Vincent van Gogh in Arles and Saint-Rémy, southern France of blossoming almond trees. Flowering trees were special to van Gogh. They represented awakening and hope. He enjoyed them aesthetically and found joy in painting flowering trees. The works reflect the influence of...
The Baptism of Christ is a painting by the Italian Renaissance master Piero della Francesca. Painted in egg tempera on two panels of poplar wood, the dating is controversial – some give it a very early date, perhaps 1439; others much later, around 1460. It is held by the National Gallery, London.
Guido Reni (Italian pronunciation: [ˌɡwiːdo ˈrɛːni]; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome,...
Așadar, problema care se ridică este una nu doar de comunicare, care, în mod matur și firesc, trebuia realizată de către Preafericitul Părinte Patriarh Daniel însuși, în cazul acesta - după cum am mai specificat în rândurile de mai sus - după consultarea cu ceilalți ierarhi, ci și una de moralitate. De fapt, tocmai acesta e miezul: lipsa curajului,...
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Artesane Studio is an independent, multilingual, peer-reviewed humanities interdisciplinary magazine with a global readership of 448,489 unique organic visitors (Nov 1, 2017 – Feb 12, 2026). Anchored in political and continental philosophy, theology and metaphysical inquiry, critical theory, civilizational analysis, and devotional arts, the publication explores the intersection of art and intellectual life. Through essays, treatises, and poetic works, Artesane Studio investigates power and propaganda, transcendence, identity, and the delicate architecture of truth in the modern age. Beyond the written word, the project extends into curated cultural experiences, cultivating a refined space where scholarship and aesthetic discernment converge.
PARTNERS SUPPORTERS COMMUNITY (001) Galleries World-renowned art museum (002) Conservation Cultural heritage institutions (003) Print Media Established cultural magazines DISCOVERAt its heart, Artesane Studio Magazine operates on the following premise: that art is not solely an aesthetic pursuit, but a medium of transcendence. It possesses the unique power to engender bridges, spark intellectual curiosity, and deepen our collective communion with the world's ancestral continuum. The commitment to such intercultural exchange arises from a conviction both simple and radical: that the arts offer the most luminous lens through which the dense complexities of identity and memory may be deciphered. By approaching these narratives with epistemic humility, an empathetic engagement with the "other" is attained, transforming the meeting into a form of kinship. Guided by intellectual courage and fidelity to epistemic honesty, the unspoken nuances of the world are drawn into the light. It is here that great art finds its breath — not only in isolation, but at its crossroads of intuition, intellect, and curation mastery. Therefore, in this shared space, the act of creation ceases to be a solitary endeavor. It becomes, instead, an unfolding voyage of discovery — a dialogue that honors the refinements of high culture while remaining profoundly anchored in the human condition. These principles serve as the raison d'être for a new cultural "palimpsest of becoming".
NEW INVITATION Scholars and attentive readers are called to engage with a space where art and the humanities meet in order to confront the realities of atemporality. The research follows a unifying thread aimed at shaping a clear and strong intellectual identity — the individual node of authority (INA). Therefore, by sustaining the role of public intellectual engagement, Artesane Studio offers a place for kaleidoscopic reflection, where the tensions of contemporary life are examined with the depths of kairos and ethical awareness of its Aristotelian ethos. Current studies flows across the borders of Philosophy, Intelligence, and Science, tracing the evolving interplay between Technology and the Human Experience. By weighing the forces of globalization and critical theory against historical continuities, we explore how the synergy of Art, Cognition, and Politics shapes the very narratives through which civilizations understand themselves.
